The Ultimate Flower Guide to a Vintage Garden, According to Film Florist for Emma | The telegraph
Emma is set at a time when garden designers blurred the lines between formal gardens and parks, in line with the Pittoresque movement. Scott describes each of American fashion photographer and director Autumn de Wilde’s frames as “like a moving painting of the era,” from the rich wood panels to the candy-colored walls of the tea scenes.
âWe had several styles of properties to work with, so in addition to delving into Jane Austen’s books, I looked at the contemporary gardens of the time, designed by Capability Brown and Humphrey Repton. Rummaging through the gardens of West Wycombe, Croome, Osterley Park, Audley End and Stowe always gives me great ideas for vintage planting, âshe says.
âCross-checking old masters with the availability of British flowers at the time is a fun exercise – I spent hours studying contemporary paintings, sketches and ideas by Rachel Ruysch, Ãdouard Manet, Peter Casteels, John Constable, Ambrosius Bosschaert and Henri Fantin. Fortunately, they all liked to paint flowers. Georgian wallpapers, clothing, porcelain sets, fabrics, and old hat making cards with images of beanies also reveal floral secrets.
Scott’s other notable moments in the film include the ballroom scene, in which garlands complement the chairs, curtains, and costumes. The table is adorned with hundreds of vases of English roses, tree peonies, larkspur and sweet peas. In Christmas meal scenes, dyed silk ribbons spout fir garlands from wood panels, while ellebores, anemones and berries sparkle in candlelight. âEven though I’ve spent hours agonizing over their appearance, the sets should make it look like the outside has been realistically brought inside,â she says.