Taiwan House “Japan Tour Building friendship through design, passing on flowers and blessings

TAIPEI, November 16, 2021 / PRNewswire / – Executed by the Taiwan Design Research Institute (TDRI), the “Fictional garden: Taiwan house“The tour in Japan took place from October 2 to November 7, 2021, successively at Good Design Marunouchi in Tokyo and the terminal KYOTO in Kyto, with an exciting exhibition and six thematic seminars that took both Taiwan and Japan by the storm.

For the full multimedia version, click here: https://www.prnasia.com/mnr/TDRI_202111.shtml

Since 2019, the COVID-19 pandemic has spread across the world, pushing the pause button on all economic activity and trade, and causing huge impacts around the world. Nevertheless, during this erratic period, Taiwan and Japan demonstrated a stronger and stronger bond. In addition to showing political and diplomatic support, Japan also made six separate donations of vaccines to Taiwan, accentuating the manifestation of the close links between Taiwan and Japan.

For this reason, the culture and design sectors in Taiwan and Japan have planned many activities to facilitate bilateral trade, including “Fictional garden: Taiwan house“was one of the most important cultural exchanges between Taiwan and Japan, as well as the warm-up event of the “Taiwan Now” activity series to be launched in Tokyo, Japan.

Main minds: discover the cultural content and the status of design under the unique charm of “Taiwan Design”


The exhibition invited 8 Taiwanese creative professionals from different disciplines to produce new creative works using sustainable materials

Fictional garden: Taiwan house“was jointly planned by consulting firm Plan b Inc. and Double-Grass which focuses on conservation projects. Using flowers (hana in Japanese) as the theme, the exhibition not only imparted flowers and blessings symbolizing the friendship between Taiwan and Japan, but also highlighted through the flowers the splendid results of flowering Taiwan design, abstract Taiwan the three main minds of design: “integration of resources”, “social application” and “response to time”.

The exhibition invited 8 Taiwanese design teams and creative professionals from various disciplines, including Joe Fang Studio, PiliWu-Design, emerging craft designer Chang Chia-ling, floral designer Liao Hao-jhe, artist Mia liu, graphic designer An Yen and fashion brands Angus Chiang and Melted Potato, to create with sustainable materials from Spring Pool Glass and Miniwiz who work for green projects, translating from Taiwan the imagery of the plantation and the display of the splendid fruits of Taiwan the diverse cooperation of design.

The exhibition also selected 10 cases or exhibitions of different topics, which included projects that showcased from Taiwan liberal system and culture and design combined with social issues, such as: Design Movement on Campus, Public Digital Space Division, Light Up Taiwan and Go Grandriders; intelligent pandemic prevention service and sustainable products that transmit from Taiwan philosophy of circular sustainability and response to time; Allrover which demonstrated the strengths of Taiwanese industries in terms of resource integration and innovation. These classically designed cases showcased the various perspectives of Taiwan design to interpret jointly from Taiwan unique landscape – the “fictitious garden” which was free, prosperous and unlimited, and presented the present state of from Taiwan contemporary design.

Spatial Creativity: Display Taiwan’s “Garden of the Future” – Fictional Garden

The plantation's Taiwanese imagery is translated through the design to display the current state of the Taiwanese design ecosystem which is free, diverse, flourishing and limitless.
The plantation’s Taiwanese imagery is translated through the design to display the current state of the Taiwanese design ecosystem which is free, diverse, flourishing and limitless.

The spatial design also used “flower” as a basic concept, exploring what a garden belonged to. Taiwan would look like. Focusing on “circular materials”, “industrial technology” and “traditional techniques”, the space has built exhibition platforms symbolizing the West Taiwan, the Central Mountain Range and the East Rift Valley, featuring works that echoed the plants and cultural patterns of the island’s various climates. Space resembled our island, and was a metaphor for planet Earth which was a critical point in the build-up of civilization and the consumption of resources; Would flexible, interdisciplinary, diverse and free values ​​flourish for our future?

Various places: display the cultural fusion of Taiwan and Japan through different exhibition atmospheres

Thanks to TDRI’s long friendship with the Japan Institute of Design Promotion (JDP), Taiwan House was able to make its first stop at GOOD DESIGN Marunouchi, in the heart of Tokyo near Tokyo station. Works by Taiwanese designers were presented in this sleek, modern venue with large windows, overlooking from Taiwan Fictitious garden a refreshing and avant-garde atmosphere.

The exhibition made its first stop at GOOD DESIGN Marunouchi near Tokyo Station, displaying the look of
The exhibition made its first stop at GOOD DESIGN Marunouchi near Tokyo Station, displaying the look of “Taiwan’s Garden of the Future – Fictional Garden”.

The exhibition made its next stop at the Kyoto Terminal, a traditional Japanese “machiya” (wooden townhouse) with a history of nearly a century that was full of traditional cultural spirit and carried imprints of the way of life. local. The curator used the vocabulary of space, rearranging the layout and building the circulation, to manifest within the same framework of contents the tender and flexible, and adaptive and agile cultural qualities of Taiwan, giving Fictional Garden a whole new look.

Works by creative professionals exhibited in ancient architecture in Kyoto to showcase the perfect cultural fusion of Taiwan and Japan.
Works by creative professionals exhibited in ancient architecture in Kyoto to showcase the perfect cultural fusion of Taiwan and Japan.

Experience all the senses: experience the “smells of the islands” of Taiwan – Breath Taiwan

The scent that filled the exhibition space was the olfactory imprint of the Treasure Island of Taiwan reinterpreted by the founder of P.Seven Taiwan Tea Perfume Pan based on from Taiwan forest, temples and tea culture. In addition, this perfume is designed to be the exclusive perfume of Taoyuan International Airport Corporation, so when visitors arrive at Taiwan, they start to breathe in this island with every step they take. The scent allowed visitors to “Taiwan House” to breathe and feel the unique characteristics of Taiwan design, leaving “deep impressions of Taiwan“through a unique experience of all the senses.

P.Seven Taiwan Tea Perfume is the exclusive scent of the exhibition, allowing visitors to also breathe in Taiwan in addition to perceiving the island through their eyes and ears.
P.Seven Taiwan Tea Perfume is the exclusive scent of the exhibition, allowing visitors to also breathe in Taiwan in addition to perceiving the island through their eyes and ears.

Deep Interaction: Dig deeper and view the current state of Taiwan design

Not only were there physical exhibits of “Fictional garden: Taiwan house“available in Tokyo and Kyto, exciting TaiwanJapan online forums have also been planned in correspondence with the themes of the exhibition. The forums proposed six themes: #Social innovation, #Sustainable industry, #Public design, #Regional revitalization, #Revitalization of old buildings and #Symbiosis of working together. Through the perspective of design, and the different points of view of Taiwan and Japan, the forums explored the relationship between citizens and social policies, how designers can stimulate industrial revitalization, how industries can strike a balance between development and environmental protection, as well as mission and social influences of the designers, allowing participants from both sides to better understand the culture, industry, social and temporal demands and the search for the core values ​​of future design and innovation, while strengthening the friendship between Taiwan and Japan. The six forums attracted over 700 citizens from both Taiwan and Japan.

During the exhibition period, Taiwan Representative in Japan Frank Hsieh, Economic and Cultural Office of Taipei in Ossaka Deputy director Chang Yung-hsien, Taiwanese overseas in Kyoto, Executive Director of the Organization Liu chia-ling and director Yang Bee-jing, and JIDA chairman Tachikawa Eisuke and former chairman Tanaka Kazuo, all visited “Fictional garden: Taiwan house. “Based on feedback from Japanese citizens, this co-creative and exchange exhibition between Taiwan and Japan has shown in an exhaustive way the evolution of Taiwan design in recent years, as well as the diverse and inclusive qualities of Taiwanese culture, allowing them to see works by Taiwan an unprecedented, innovative and breathtaking design.

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